Here I hope to document some of the striking or relevant books, essays, poems, and potent quotables I encounter, and to share excerpts as I alphabetically curate this ongoin’ ever-growin’ list. Enjoy!
Books
The Sea Around Us – Rachel Carson
The Great Derangement – Amitav Ghosh
Art Forms in Nature – Ernst Haeckel
The Forest Unseen – David George Haskell
The California Field Atlas* – Obi Kaufmann
Certainly More Than You Want to Know About the Fishes of the Pacific Northwest – Milton S. Love
Metamorphoses – Ovid
The Overstory – Richard Powers
Travels with Charley in Search of America – John Steinbeck
Walden – Henry David Thoreau
Articulate Earth and The Klamath Knot – David Rains Wallace
*This book was essentially my bible for the summer of 2019
Poetry
Collections
New and Selected Poems – Mary Oliver
The Ecopoetry Anthology – Edited by Ann Fisher-Wirth and Laura-Gray Street
Leavings – Wendell Berry
The Essential Emily Dickinson – Emily Dickinson, edited by Joyce Carol Oates
The Complete Poems of Walt Whitman – Walt Whitman
Poets
Michelle Boisseau
“Ugglig” – Excerpt – from “The Best American Poetry 2016” edited by David Lehman and Edward Hirsch
Ugly is the mother of the sublime—dreadful
and magnetic, it sucks you over edges
with the torque of awe, so much like love
it must be love.
Emily Dickinson (1830-1886), whom both Joyce Carol Oates and I would have be required reading for every president.
‘Nature’ is what we see…
Nature is what we know—
Yet have no art to say—
So impotent Our Wisdom is
To her Simplicity.
“The skies can’t keep their secret!”
…If I should bribe the little bird,
Who knows but she would tell?
I think I won’t, however,
It’s finer not to know;
If summer were an axiom,
What sorcery had snow?
From Bartleby’s Emily Dickinson: Complete Poems – Part II: Nature
Robert Duncan (1919-1988)
“Poetry, a Natural Thing”
The poem
feeds upon thought, feeling, impulse,
to breed itself,
a spiritual urgency at the dark ladders leaping.
Lola Haskins
“The Sandhill Cranes”
The long bones of sandhill cranes
know their next pond. Not us.
When something is too beautiful,
we do not have the grace to leave.
Mary Oliver (1935-2019), of whom Maxine Kumin remarked, “[she] stands quite comfortably on the margins of things, on the line between earth and sky, the thin membrane that separates human from what we loosely call animal.”
“To Begin With, the Sweet Grass” from Evidence: Poems, 2010
…Eventually tides will be the only calendar you believe in.
And someone’s face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful…
The witchery of living
is my whole conversation
with you, my darlings.
All I can tell you is what I know.
Look, and look again.
This world is not just a little thrill for the eyes…
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.
from “A Year of Being Here“
“The Moths”
If I stopped and thought, maybe
the world
can’t be saved,
the pain
was unbearable.”
“The Old Poets of China” from Why I Wake Early, 2005
Wherever I am, the world comes after me.
It offers me its busyness. It does not believe
that I do not want it. Now I understand
why the old poets of China went so far and high
into the mountains, then crept into the pale mist.
Walt Whitman (1819-1892)
“To Foreign Lands” from Leaves of Grass
I heard that you ask’d for something to prove this puzzle the New World,
And to define America, her athletic Democracy,
Therefore I send you my poems that you behold in them what you wanted.
Essays and Prose
“Natural History: the sense of wonder, creativity, and progress in ecology” (2001)
by Paul K. Dayton & Enric Sala – Scripps Inst. of Oceanography
Published in Scientia Marina in 2001, the beautifully and compellingly made case for holding dearly to the principles and purpose of natural history as foundation and drivers of the field of ecology’s resonates enormously, and ever more as it necessarily shifts towards dealing with anthropogenic climate change.
“Self-Reliance” (1841)
by Ralph Waldo Emerson (1803-1882), leader of the transcendentalist movement and perhaps the model of that unique American individualism we know (if not love)
“Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind. Absolve you to yourself, and you shall have the suffrage of the world…
Your goodness must have some edge to it,— else it is none.”
“Civil Disobedience” (1849)
by Henry David Thoreau (1817-1862), the great American tax avoidant pond enthusiast
“It is truly enough said that a corporation has no conscience; but a corporation of conscientious men is a corporation with a conscience. Law never made men a whit more just; and, by means of their respect for it, even well disposed are daily made the agents of injustice.”
Etc.
Captain Fantastic (2016)
Directed and written by Matt Ross, this movie is both an engrossing landscape of the Pacific Northwest and a rich, immediate portrait of the purpose and sacrifice in the project of self-reliance. As the best tales of the land do, it tells a story of the West using the resonance of the individual quest.
